Books by Fyodor Dostoyevsky
Inspired by an image of Christ's suffering, Fyodor Dostoyevsky set out to portray "a truly beautiful soul" colliding with the brutal reality of contemporary society. Returning to St. Petersburg from a Swiss sanatorium, the gentle and naive Prince Myshkin—known as "the idiot"—pays a visit to his distant relative General Yepanchin and proceeds to charm the General and his circle. But after becoming infatuated with the beautiful Nastasya Filippovna, Myshkin finds himself caught up in a love triangle and drawn into a web of blackmail, betrayal, and, ultimately, murder. This new translation by David McDuff is sensitive to the shifting registers of the original Russian, capturing the nervous, elliptic flow of the narrative for a new generation of readers.
From [wikipedia](https://en.wikipedia.org/wiki/Crime_and_Punishment):
Crime and Punishment (Russian: Преступлéние и наказáние, tr. Prestupleniye i nakazaniye; IPA: \[prʲɪstʊˈplʲenʲə ɪ nəkɐˈzanʲə\]) is a novel by the Russian author Fyodor Dostoyevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866.[1](https://en.wikipedia.org/wiki/Crime_and_Punishment) It was later published in a single volume. It is the second of Dostoyevsky's full-length novels following his return from ten years of exile in Siberia. Crime and Punishment is considered the first great novel of his "mature" period of writing.\[2\]
Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in St. Petersburg who formulates and executes a plan to kill an unscrupulous pawnbroker for her cash. Raskolnikov argues that with the pawnbroker's money he can perform good deeds to counterbalance the crime, while ridding the world of a worthless vermin. He also commits this murder to test his own hypothesis that some people are naturally capable of such things, and even have the right to do them. Several times throughout the novel, Raskolnikov justifies his actions by comparing himself with Napoleon Bonaparte, believing that murder is permissible in pursuit of a higher purpose.
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See also:
- [Преступлéние и наказáние: 1/2](https://openlibrary.org/works/OL7998899W/Prestuplenie_i_nakazanie._1_2)
Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes — moral, religious, political and social — that dominated Dostoyevsky's later works.
